Copper Canyon Press is pleased to announce the publication of So What: New and Selected Poems, 1971-2005, by
Palestinian poet Taha Muhammad Ali. This book, presented in a bilingual Arabic-English format, is
a crucial piece of contemporary Middle Eastern culture, and an important book for American readers.
Forced into exile after the Arab-Israeli war in 1948, Muhammad Ali
does not rely on simple
slogan poetry, but instead draws on his experience to create, as The Boston Globe puts it,
“art of the highest order.”
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Taha Muhammad Ali will be on tour across the United States in the Fall of 2006. Dates and locations:
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September 28–October 1
Dodge Poetry Festival Stanhope, New Jersey October 3, 7:00 pm Poets House New York City, NY October 5, 3:30 & 7:30 pm Poetry Center San Franciso State University San Francisco, CA October 7, 7:30 pm St. Mark’s Cathedral Seattle, WA |
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Taha Muhammad Ali is a self-taught wonder, a man who sold souvenirs during the day and
who, at night, studied classical Arabic texts, American fiction, English Romantic poets,
Chekov, and Maupassant. Born in Saffuryia, the Galilean village at the heart of his poems,
Taha and his family escaped to Lebanon during the Arab-Israeli War. He returned a year later
to live in Nazareth, one painful mile away from the ruins of his former village.A relative latecomer to poetry, Muhammad Ali has published short stories since the 1950s in Arabic and Hebrew publications. Now, having presented his poetry at the Jerusalem International Poetry Festival, the Geraldine R. Dodge Festival, and at |
colleges and
universities across the United States, Taha Muhammad Ali is a beloved Palestinian poet.
Audiences around the world have been powerfully moved by Muhammad Ali’s poems of
political complexity, bittersweet humor, and—above all—humanity.
Muhammad Ali has
turned over the management of his souvenir shop, near the Church of the Annunciation,
to his sons and spends his days writing, traveling, and conversing with friends over Turkish
coffee.
——— Related Links: · Biography from Poetry International Web · New York State Writers Institute ——— |
So What: New and Selected Poems, 1971-2005 presents the essential poems from one
of one of the most important contemporary Palestinian poets.
The village of Muhammad Ali’s childhood—destroyed in the Arab-Israeli War—serves
as the nexus of his work, which is grounded in everyday experience and driven by
a storyteller’s vivid imagination. The 34 poems and one short story (the first short
story ever published by Copper Canyon Press) bring to the forefront the politically complex
and sensitive work of a poet bridging the barriers between English, Hebrew, and
Arabic-speaking nations. |
Where
Poetry hides somewhere behind the night of words behind the clouds of hearing, across the dark of sight, and beyond the dusk of music that’s hidden and revealed. But where is it concealed? And how could I possibly know when I am barely able, by the light of day, to find my pencil? |
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Copper Canyon Press seeks to build the awareness of, appreciation of, and audience for a wide range of emerging and established American poets, as well as poetry in translation from many of the world’s cultures, classical and contemporary. Click here to visit our main web site.
The Arabic text running along the side of this page reads, “Postoperative Complications Following
the Extraction of Memory”—the title of one of the poems from So What: New and Selected Poems, 1971-2005.
Email This Page to a Friend | Download a Printable Flyer | Buy the Book



Taha Muhammad Ali is a self-taught wonder, a man who sold souvenirs during the day and
who, at night, studied classical Arabic texts, American fiction, English Romantic poets,
Chekov, and Maupassant. Born in Saffuryia, the Galilean village at the heart of his poems,
Taha and his family escaped to Lebanon during the Arab-Israeli War. He returned a year later
to live in Nazareth, one painful mile away from the ruins of his former village.
So What: New and Selected Poems, 1971-2005 presents the essential poems from one
of one of the most important contemporary Palestinian poets.
The village of Muhammad Ali’s childhood—destroyed in the Arab-Israeli War—serves
as the nexus of his work, which is grounded in everyday experience and driven by
a storyteller’s vivid imagination. The 34 poems and one short story (the first short
story ever published by Copper Canyon Press) bring to the forefront the politically complex
and sensitive work of a poet bridging the barriers between English, Hebrew, and
Arabic-speaking nations.
