Soft Targets

Deborah Landau

Deborah Landau’s Soft Targets registers the body’s vulnerability in a time of global crisis, deepening the themes of her acclaimed third book, The Uses of the Body. The fear of annihilation expands beyond the self in this ambitious lyric sequence to an imperiled planet on which all inhabitants are “soft targets.” In a world beset by political tumult, random violence, terror attacks, and climate change, what becomes of the quiet expressions of love between friends and family? As neo-Nazis march in the twenty-first century, the poet recalls her grandmother’s flight from Nazi Germany in 1938. “Much trouble at hand, yet the lilies still,” Landau writes, confounded by the simultaneity of pleasure and pain, comfort and suffering—the clash of Eros and Thanatos. “Now bring me a souvenir from the desecrated city, something tender, something that might bloom.” These are vital poems for our present moment.

ISBN: 9781556595660

Format: Paperback

About the Author

Deborah Landau is the author of Soft Targets, The Uses of the Body, The Last Usable Hour, and Orchidelirium, which was selected by Naomi Shihab Nye for the Anhinga-Robert Dana Prize for Poetry. In 2016 she was awarded a Guggenheim Fellowship. The Uses of the Body was featured on NPR’s All Things Considered, and included on “Best of 2015″ lists by The New Yorker, Vogue, BuzzFeed, and O, The Oprah Magazine. A Spanish edition, Los Usos Del Cuerpo, was published …

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Reviews

“Through the cadence of these poems, which sometimes resemble lullabies in their dreaminess and gorgeous lyricism, Landau captures the ways humans persist, despite our collective anxiety, in our longing for ‘something tender, something that might bloom.’” —Publishers Weekly, starred review

“An essential meditation for our era.” —Nylon

“… Vital, beautiful, and complex—an important read for our times.” —Los Angeles Review of Books

“Terse and yet lyrical, floating in white space on the page like stark, intimate thoughts, Soft Targets is a riveting example of how we cannot take the body out of thinking, and we shouldn’t.” —Lit Hub

“Deborah Landau has developed a style of writing poetry that reminds me of Maggie Nelson and Anne Carson, these long poems that feel dreamy because they are so lyrical. This is also her most political book.” —Major Jackson, Boston Globe

“Landau’s deft touch allows her to shape poems of subtle nuance and strength, poems that build paradox upon paradox…” —New York Journal of Books

“Landau’s [voice] smolders, crackling through the collection with an unwavering intensity… Like fireweed, the poems in Soft Targets emerge from the scorched earth of contemporary life to show us not just how to survive, but how to thrive.” —The Rumpus

“A plea for both the planet as it warms, and the world of the West, which threatens to tear itself apart through violence and “weak and disordered” governments. In the end, Landau adopts an almost Whitman-like singing in the face of her despair.” —AM New York

“[Landau’s] gauzy, meditative lyrics voice the contemporary sense of dislocation and dread intruding even on those with comfortable lives, what she calls ‘the funeral in everything’… Nimble and compelling, [the poems in Soft Targets] render the grimness of our moment without being sunk by it.” —The Antioch Review

“These tightly constructed poems read like euphonic pleasure amidst global destruction. Landau’s fourth collection touches on small moments of life with pointed precision in a timely expression of humanity’s fears.” —New York Public Library

“In her latest collection, Deborah Landau writes lush, sensual lyrics to reconcile both the beauty and the unrelenting vulnerability of the body, ‘the soft target.’ The poems trace patterns of violence—global and local, past and present—to convey the constant threat of destruction that looms over so many ‘softs’ in our precarious present. All the while, the poems grapple with what it means to live with pleasure and tenderness amid the shadow of imminent doom.” —The Believer

Awards

Believer Book Award in Poetry, 2019