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War of the Foxes
Richard Siken
$17.00 paperback
978-1-55659-477-9
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War of the Foxes
Richard Siken

“This may be the most anticipated poetry book of the last decade...expect it to haunt you.” —NPR

In this long-awaited follow-up to Crush, Yale Series of Younger Poets prize-winner Richard Siken turns toward the problems of making and representation, in an unrelenting interrogation of our world of doublings. In this restless, swerving book simple questions—such as, Why paint a bird?—are immediately complicated by concerns of morality, human capacity, and the ways we look to art for meaning and purpose while participating in its—and our own—invention.

War of the Foxes is also issued in a signed, hand-bound limited edition of 226 copies, produced in collaboration with Spork Press. These limited editions are available exclusively through donation to Copper Canyon Press. Please email poetry (at) coppercanyonpress.org for more details.

 

 

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For War of the Foxes, Richard Siken

* "Slippery, magnetic riffs on the arbitrary divisions made by the human mind in light of the mathematical abstractions that delete them; poetry lovers will want to read."—Library Journal, starred review

"[P]oems of passion, examining what it means to love, to be, and to create."—Vanity Fair

“Poems primarily about painting and representation give way to images that become central characters in a sequence of fable-like pieces. Animals, landscapes, objects, and an array of characters serve as sites for big, human questions to play out in distilled form. Siken’s sense of line has become more uniform, this steadiness punctuated by moments of cinematic urgency.”—Publishers Weekly

“This may be the most anticipated poetry book of the last decade...expect it to haunt you.” —NPR

"War of the Foxes builds upon the lush and frantic magic of Richard Siken’s first book, Crush. In this second book, Siken takes breathtaking control of the rich, varied material he has chosen...Siken paints and erases—the metaphor of painting with words allows him to leave those traces that mostly go unseen. He is the Trickster. If paint/then no paint. He does this with astonishing candor and passion."—The Rumpus

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